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June releases
May. 21st, 2007 04:34 pmIt's a very exciting time in the European metal world at the moment, because there are three bands releasing albums within a few weeks of each other over the next month.
The one I'm most excited about is "Megatropolis" by Iron Savior, the Gamma Ray side project-turned-real-band who got me started on all this in the first place. Despite sounding like the title of an early Genesis game, it sort of suits them, and I've been watching the recording studio reports and videos closely as they've been put up on the site. (They're a very "interactive" band in that way - not many bands visit and reply to their own forums quite so much.) While not as legendary or extensive as the introduction videos for Condition Red or the "director's commentary" series for Battering Ram, the videos do give some idea as to what to expect. Namely a more melodic version of Judas Priest, it seems.
On searching for the title on Google I came across some 30-second samples on a dodgy Russian site, and I was surprised to discover that (from my interpretation of the words) it appears that they've written a song about World of Warcraft. I'm not sure whether this is appalling or absolutely brilliant. Piet Sielck has the remarkable talent of being able to write supremely dodgy lyrics (rhyming "sword" with "restored", for one) and then making them sound not embarrassing at all. This might be because he's so massive and German that you don't really dare laugh at anything he sings.
Kamelot are also back with "Ghost Opera", which looks like a continuation of the general sound that they were exploring in The Black Halo. There's a video from the title song on the front page now, featuring a trademark 5/4-3/4-possibly 7/4 changing time signature, bullet-time hair-flinging and Roy Khan with an all-new record-breakingly stupid beard.
Their musical history is strange and difficult to explain - they started off several years ago with two absolutely appalling albums fronted by Mark Vanderbilt, who sang like a dog chewing a toffee. After kicking him out along with their drummer, they started heading in a better direction, but it took a couple of albums before everything suddenly and inexplicably worked. At that point they became a sort of everything-band, able to write lighter and more aggressive music with equal ability. Then they started getting a bit too clever for their own good and ventured away from power into progressive metal, becoming a sort of "Dream Theater Lite" with pretentious symphonic musical self-references and connections to various points in a continuing storyline. It's a bit like what would happen if Russell T Davies started a band.
And Sonata Arctica are about to release "Unia". This time, samples are available officially rather than having to rely on Mafia-funded MP3 sites. From going through the samples, it seems that the band have calmed down considerably since the days that they were a more manic version of Stratovarius that succeeded in dramatically upstaging their main influence - I couldn't find a single fast song on there, and they seem to be relying on their slower, more string-led style now. As I expected, just like the previous album, the song with the silliest title is once again my favourite ("My Dream's but a Drop of Fuel for a Nightmare", or MDBADOFFAN, which sounds a bit like a kind of cake). It's also mildly disturbing to see that they're beginning to look a bit like Nickelback.
The one I'm most excited about is "Megatropolis" by Iron Savior, the Gamma Ray side project-turned-real-band who got me started on all this in the first place. Despite sounding like the title of an early Genesis game, it sort of suits them, and I've been watching the recording studio reports and videos closely as they've been put up on the site. (They're a very "interactive" band in that way - not many bands visit and reply to their own forums quite so much.) While not as legendary or extensive as the introduction videos for Condition Red or the "director's commentary" series for Battering Ram, the videos do give some idea as to what to expect. Namely a more melodic version of Judas Priest, it seems.
On searching for the title on Google I came across some 30-second samples on a dodgy Russian site, and I was surprised to discover that (from my interpretation of the words) it appears that they've written a song about World of Warcraft. I'm not sure whether this is appalling or absolutely brilliant. Piet Sielck has the remarkable talent of being able to write supremely dodgy lyrics (rhyming "sword" with "restored", for one) and then making them sound not embarrassing at all. This might be because he's so massive and German that you don't really dare laugh at anything he sings.
Kamelot are also back with "Ghost Opera", which looks like a continuation of the general sound that they were exploring in The Black Halo. There's a video from the title song on the front page now, featuring a trademark 5/4-3/4-possibly 7/4 changing time signature, bullet-time hair-flinging and Roy Khan with an all-new record-breakingly stupid beard.
Their musical history is strange and difficult to explain - they started off several years ago with two absolutely appalling albums fronted by Mark Vanderbilt, who sang like a dog chewing a toffee. After kicking him out along with their drummer, they started heading in a better direction, but it took a couple of albums before everything suddenly and inexplicably worked. At that point they became a sort of everything-band, able to write lighter and more aggressive music with equal ability. Then they started getting a bit too clever for their own good and ventured away from power into progressive metal, becoming a sort of "Dream Theater Lite" with pretentious symphonic musical self-references and connections to various points in a continuing storyline. It's a bit like what would happen if Russell T Davies started a band.
And Sonata Arctica are about to release "Unia". This time, samples are available officially rather than having to rely on Mafia-funded MP3 sites. From going through the samples, it seems that the band have calmed down considerably since the days that they were a more manic version of Stratovarius that succeeded in dramatically upstaging their main influence - I couldn't find a single fast song on there, and they seem to be relying on their slower, more string-led style now. As I expected, just like the previous album, the song with the silliest title is once again my favourite ("My Dream's but a Drop of Fuel for a Nightmare", or MDBADOFFAN, which sounds a bit like a kind of cake). It's also mildly disturbing to see that they're beginning to look a bit like Nickelback.
