Under the Knife 2: Not Again
Mar. 1st, 2010 11:03 am
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As far as mechanics go, much of what I said in the post about the first game still applies. It's difficult to really say without knowing what newcomers think of it, but I think that this sequel strikes a decent balance between leading on from the first game and starting off easy enough for new players to cope with - three difficulty levels have been provided this time rather than leaving you on one, so if you find things too overwhelming then you can switch to Easy, or alternatively bump it up to Hard if you're a total masochist. Slightly disappointingly, the difference between these difficulty levels seems to be purely mathematical - on Easy damaging events are toned down and you can heal really quickly, and on Hard your patient will rapidly die from a mild bruise and you'll get repetitive strain injury from going back and forth with the wimpy stabilizer trying to prevent it. If they'd instead changed the behaviours of some of the stuff you're up against slightly depending on the difficulty level (see my more detailed suggested technique!) then they could effectively have tripled the number of operations in the game - still, there are already a few more than there were in the original, so there's no real reason to complain.
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It's nothing a splash of antibiotic gel won't fix |
The dialogue isn't completely text-based like the first game, but because they have to work within the limits of a 64MB cartridge, they've only gone for sort of semi-voicing the game, giving each character a few phrases that are spoken out loud on vaguely appropriate paragraphs of the written text - if you're reading through it at a reasonable pace, it gives the impression that the Caduceus members communicate with each other by sort of Twittering verbally in a stream of "Hey." "Excuse me." "Well..." "Yes." "What the..." "Doctor?" "Understood." And it's enormously irritating (apart from the villain's maniacal laugh sound clip, which makes it all worthwhile) but you shouldn't allow yourself to turn it off because the same little sound cues are so helpful during the operations - it's just about possible now to go through it without looking at the top screen at all because you're prompted to do everything verbally.
Something that surprised me was that the game runs noticeably slower. When you do your first operation, you feel a definite reduction in pace compared to the first - I suffered the indignity of having my first suture counted as a "BAD" before realizing I had to relearn how it was expecting me to do them. Another example is that the syringe seems to have been changed from a smoothly sliding gradient into a series of sprites, giving filling it a much jerkier appearance. It's not unplayably slow - after a while you get used to it and don't notice it at all by itself (indeed, now that I'm at the end of the game and having to touch the screen five times per second it's difficult to imagine how I could ever call the game "slow"), but if you go back to the first game after getting used to this one it's surprising how much faster it seems. I think the screen just doesn't update quite as quickly as before, most noticeably on tools where you have to draw lines like the sutures and scalpel - maybe it was an attempt to combat the slowdown that the first game experienced when there were a lot of objects on the screen at once.
I said before that even though I'm not someone who just skips through cutscenes all the time I didn't really consider the plot of the first game all that important, more a vehicle to trundle the game between operations of increasing unlikeliness and difficulty, but the storyline here has really been brought to the forefront. Rather than just one group fighting a medical terrorist plot, it's been turned into a story about the rivalries between two medical companies and the soap opera of the more personal stories of all of the characters that you meet and work with (while they work tirelessly at pushing your two clueless protagonists into finally going to bed together). I didn't find myself caring all that much about the couple of tragic plot points the first time round, but this one has an absolute heartbreaker that I honestly felt guilty about for most of the day afterwards (made all the worse because in the context of the game I had done everything right - the plot nevertheless just dictated that I wasn't good enough). It seems that even the great Derek Stiles can't compete with storyline injuries.
( New operation descriptions under here )
But after finally getting past all that, you're triumphantly given a notice that you've now got access to the Confidential Operations, also known as the X-missions. So my descriptions of those are going to have to come much later provided I can complete them at some point within the next hundred years. Thanks a lot, Atlus.
I've just noticed that my DS now has a perfect groove worn into the screen at the point where the stabilizer appears.